All praise to God, the Father of our Lord Jesus Christ. It is by his great mercy that we have been born again, because God raised Jesus Christ from the dead. Now we live with great expectation, and we have a priceless inheritance—an inheritance that is kept in heaven for you, pure and undefiled, beyond the reach of change and decay. ~ 1 Peter 1:3-4 (NLT)
At the time of his death in 1889, Dr. Horatius Bonar was a well-known and well-loved composer of hymns and poems, having penned more than 600 in his lifetime. In the 1907 revision of his invaluable Dictionary of Hymnology, Dr. John Julian reported that more than 100 of Bonar's hymns were in common use in both America and the UK. His writing was notable for his ability to combine a rich grasp of theology, beautiful lyricism, and emotional sensitivity in a way few of his contemporaries could match.*
Yet today, his hymns are absent from virtually every recent hymnal (a notable exception being Hymns of Grace which contains four of his texts, including two recent retunings), and he is most well-known as the author of What A Friend We Have in Jesus... a hymn he did not actually write, but which was falsely attributed to him in several hymnals published in the late 19th century. (The hymn was actually composed by Joseph Scriven.)
So how did such a gifted writer go so quickly from fame to obscurity? I believe it is because most of his hymn texts were paired with sub-par melodies unable to survive the intervening century. To have staying power, a song—whether a sacred or secular composition—must have both strong lyrics and a strong melody, with the latter being arguably more influential. Keith Getty has put it this way:
"What we actually need is beautiful poetry that lifts our eyes to the God of the universe, that arrests our emotions, fascinates our minds, and sticks in our memories, and this poetry ought to be married to melodies that are so sing-able, they captivate us and all those around us—so much so that we want to sing them over and over and pass them on to our children."
Thankfully, great lyrics from the past can be resurrected through a process called retuning hymns. Bonar's hymn All Praise to Him Who Built the Hills is a great example of this, in this new musical setting by Bob Kauflin and Matt Merker (who also recently retuned a hymn composed by Dr. Bonar's wife):
All praise to Him, the God of Light,
Who formed the mountains by His might;
All praise to Him who names the stars
That sing His fame in skies afar.
All praise to Him who reigns in love,
Who guides the galaxies above,
Yet bends to hear our every prayer
With sovereign pow'r and tender care
All praise to Him whose love is seen
In Christ the Son, the Servant King,
Who left behind His glorious throne
To pay the ransom for His own.
All praise to Him who humbly came
To bear our sorrow, sin, and shame.
Who lived to die, Who died to rise;
The all-sufficient sacrifice.
All praise to Him whose pow'r imparts
The love of God within our hearts;
The Spirit of all truth and peace,
The fount of joy and holiness.
To Father, Son, and Spirit now
Our souls we lift, our wills we bow
To You, the Triune God we raise
With loving hearts our song of praise.
Charles Spurgeon wrote:
"The proper study of God's elect is God; the proper study of a Christian is the Godhead. The highest science, the loftiest speculation, the mightiest philosophy, which can ever engage the attention of a child of God, is the name, the nature, the person, the work, the points, and the existence of the Great God whom he calls Father."
By that metric alone, this is a great hymn. There is a lot packed into these three short stanzas! The unique name, nature, and work of each Person of the Godhead is highlighted as we sing, with the closing lines emphasizing the unity that exists within the Trinity.
Notice as well that each stanza provides both a description of what God does and a specific reason why we should praise Him. The Father is the sovereign, almighty ruler over all creation, "yet bends to hear our every prayer." The Son is the worthy King who from eternity past has occupied the throne of heaven, yet He condescended "to bear our sorrow, sin, and shame" as "the all-sufficient sacrifice." The Spirit possesses the full power of God, and is able to do whatever He pleases, yet He "imparts the love of God within our hearts" and is for us "the fount of joy and holiness."
There is much devotional value in these lines, and I encourage you to meditate on these lyrics as you study and sing this hymn with your family!
* I love Julian's description of Bonar's writing and wanted to quote it in its entirety here: